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As one of golf’s most eccentric players ever, the Mac O’Grady golf swing style still intrigues countless golfers to explore his MORAD system even decades after he first hit the PGA tour.
Mac remains a favorite player of many top speed golf pros, with the Mac O’Grady golf swing style, as taught by the athletic motion found in his proprietary MORAD system, continuing to fascinate many golfers seeking to improve their swings without any firsthand tour experience.
Throughout the 1970s and 1980s, Mac O’Grady solidified his entry into the PGA Tour, known for his brow raising remarks about the sport and the fact he tried 17 times to get his PGA tour card at qualifying school.
During his time as a top speed golf pro, Mac exemplified what many players would regard as the art of simple golf, through the optimization of each component in order to further refine his overall golf swing. After qualifying to play tour level golf, O’Grady experienced his first professional win in 1986 at the Canon Sammy Davis Jr Greater Hartford Open. The next year Mac would achieve his second and final win at the MONY Tournament of Champions. This final win landed O’Grady into the World Top 50 for the first time in his professional career.
Plagued by a series of back issues, O’Grady left the PGA Tour in 1989.
Despite being naturally right handed, O’Grady once believed playing left handed may be better golf strategy, as prior to working with the author of The Golf Machine (TGM), Mac believed playing left handed couldn’t be any worse than his results as a righty. As you may expect, the natural Mac O’Grady golf swing remains a right handed styled sequence, which proved to be better golf strategy in the long term during his tour experience.
Hey guys Gator here special treat M Grady in a classroom situation doing a school very rare I’m going to lead you into what that’s about and then let you roll with him in a second he’s talking about the lower body the hips with the knee linkage okay and how they work so
You guys can follow along actually if you went right now up against the tabletop put your hips right up against it where you couldn’t turn and you just turned your upper body your shoulders you could turn about 45° now if you step away from the table and add a little hip
Turn you can see you get 90° of shoulder turn very easily so sometimes just isolating something like that uh inside the house the tabletop like that it’s going to help you realize um how to move the joints and stuff and and gain that that maybe shoulder turn that you’re
Lacking okay let’s get back into the the leg grip we’re talking about the right knee is going to straighten on the way back okay when you straighten the right knee it pulls the hip back when the hip pulls back the right hip pulls back back you’ll see the left knee wants to swivel
Towards the mid line the middle of my body okay so the right knee straights right hip pulls back left knee goes to midline then the transition in the transition of course the right hip is going to start to Res swivel back out was going to reur back out and that it’s
Going to get the left knee to line up over the ankle so now you got the left hip left knee left ankle all lined up together okay after that that the knee keeps going on the left side and of course the left knee has to straighten
And pull the left hip back so basically you’ve got a Sand’s KNE used to say a startled bottom overow on my back swing and another one on my down that’s right straight the right leg and then the left leg right leg and then the left leg that’s where we’re going today in this
Video with Mac I’m going to let him get at it and that’s the gist of it okay enjoy the video please subscribe to my channel and make some more videos set some more good Mac stuff out a little bitty Hogan as well and uh any comments and questions please fire away Paul
Gf.com is a website where more of this is already there all right see the other side what’s this see see like this left shoulder goes up goes up right away brings left set up for okay CP you got go down here like this left stay down get left arm left arm
Up left shoulder goes up like this goes in okay got that’s got to stay down that’s how you around so here you have a leg issue again that Dro it okay this looks okay there okay look good good the space between the elbows the wrist and everything else right left hand looks a
Little too weakish right there the body looks a little hoges right right keep going watch that that left hip is gone too far out like this no lost pressure the bottom of foot the left knee is B okay right watch see how B that stays look at that left fo looks like Johnny
Miller his angles look very nice just way too lad that’s the old drive your KNE you got to drive here was like this with a weak breed drive your KNE back why did Miller have to slide foot at least ASE as he did why did he do that
Yeah he try to copy fire try to keep the cliff down the line as long as possible way to do that say again so you had to move out of the way to do well the thing is you just keep moving laterally you keep slid too far M was like this
Yeah was a CF with a fad what’s that CF fader Miller it’s funny you know you get guys don’t know the longer the club is the more thetion pull it out shorter the clubs are going all C long star SC what do they say starbard let the force be with
You same thing here don’t fight the want pull it out what generally speaking why what most likely would explain why someone would have would drop the shaft to 45 degrees P4 to P5 but then dump it off and P some people do that uh they don’t have the they don’t sustain the anatom
Chain Reaction they have the sequence order and they lose it what does what at the right time how do the right forces act on the right joints just the right time how is this I didn’t say that that’s what Brooks talk about the go he specifically
Says that right so how does that happen right whe if you don’t have the same Chain Reaction the same joints moving just mov the exact same it’s like a flute you got the pressure points you got music know pressure but pressure’s on pressure’s off I’ll be able to just
Do that keep going we look at certain swings I like that actually hey that looks good no I don’t want to do that no I don’t want to go I don’t want to go there nobody wants swing like cor every wants to swing like s make you right
Okay why is that but nobody can explain even those they did could really explain maybe that’s the mystery of all I mean maybe that’s the beauty science try to go look at OB you got excessive change that pressure point the pressure point over what will show you how to keep that
Left here like this this has start straighten out the back straighten out to get the rotation when you come down here like this it’s flexed then there a point start going left has straight out to keep the rotation going over here what NL and Palmer did here
The this book here it’s very unique to see these guys what Palmer and Nicholas was that I’m going to show you hey guys what’s going on this Gator here check that link Down Below in the description website’s ready for you it’s full of videos to help you with your own game
Right F and fixes folders videos to help you with your driver maybe you’re flice in the driver maybe you want to hit further also a driving range folder that’s right drills to help you stay focused in there when you guys come to the range I want to do focused work not
Just hit balls all over the place so check that link down below and we’ll see you on the other side
